“Seth material” search engine (Jane Roberts)

(Through the day Jane herself received periodic insights from Seth about the condition, mostly having to do with her fears that she wasn’t walking enough, and not trusting the body to do its own thing in the recovery process. The gist of the impressions seemed to be that she ought to ease off walking while the body recovered —a very strange state of affairs, it seems to me, and a situation that has bothered me often before: Why should the body give up certain functions if it’s in the process of recovering? I doubt if I for one will ever be able to fully comprehend that kind of reasoning—whether from Seth or anyone else—since I think that as the body —any body—recovers, its range of activities expands correspondingly instead of shrinking. Yet Jane said the material from Seth blamed her panic-stricken attempts to see if she was walking enough each day.

The negative aspect of some of the questions has not helped. I would like to suggest a different approach, and one that would have greatly benefited the situation yesterday, say, and today, had it been used earlier.

The body is full of sensation. The most pleasurable of bodily sensations prolonged overmuch, or concentrated upon unduly, can appear quite painful. In your latest attempts to remedy the situation, and in your determination to do so, you have ended up concentrating upon the problem, putting it foremost in your minds, searching for the reasons, and giving yourselves no rest.

I do not know how you want to handle this, but the two of you should go over that page of feelings together. According to the day, the situation, you may then want to work with the pendulum, considering some specific event or issue from that day—but this need not be a lengthy session at all. With your discussion, perhaps 10 minutes with the pendulum would be sufficient, The pendulum also can be used when any event occurs—again, when specifics apply.

Again—Cézanne did not show in any way on the outside, yet the “work” was largely prepared before the first line was written. You trust the creative process in art. Only in dealing with Ruburt’s body do you both become so literal, so determined. It seems you cannot trust the creative abilities’ biological translations—but the body is certainly as creative as the mind, in those terms. Whenever the two of you manage to free your creative abilities, and set them to work on the physical situation, you do see some results.