“Seth material” search engine (Jane Roberts)

The pendulum sessions have also served to bring issues out into the open. I watched you both with those sessions, and tried gently to monitor how you handled them. With the best of intentions, you have made a few errors there.

The next two days his hips were going through considerable changes and it hurt him, so he did not walk nearly as much, and you both became frightened—Ruburt more than you. Following this he instantly decided that he must walk considerably more—at least 3 or 4 times around the circle—and at the last count, once an hour whether or not he felt like it, and particularly when he did not feel like it.

Now walking is obviously good for him, and I have encouraged it. I realize now that I simply cannot expect either of you at this point to trust Ruburt’s body to know what it is doing. There are times, according to the changes occurring, when naturally it would not walk, say, for a good part of the day, and often left alone, it might suddenly want to exercise new positions. But you both become frightened, adding to the body’s stress further.

The fact is, of course, quite unapparent to you both, that there is better performance, in that the legs are lengthening, the ankles are loosening. They are not becoming tighter. The main fact is, however, that you still do not trust the process, and that you concentrate upon the poorest aspects of physical evidence and therefore continue to perceive it.

Give us a moment.... I am aware of the fact, of course, that you both want Ruburt to walk more and better—but you must also not judge his body’s walking by usual standards. Allow it a sense of accomplishment as it progresses. It does know when it is ready to try out new positions, when it needs rest—and while I see your concern, do allow it to express some variety there.

The program I have outlined should allow you to take more advantage of Framework 2, but you must both remind yourselves of the good intent of the body, and the power of your own intent. Do not anticipate impediments. I said this before, and you have never really followed through, but if Ruburt would note down whatever feelings of release he has, or whatever improvements he senses, and if you would both recognize those as accomplishments, they would greatly improve in number and quality. You believe that or you don’t, but the fact remains.

Again—Cézanne did not show in any way on the outside, yet the “work” was largely prepared before the first line was written. You trust the creative process in art. Only in dealing with Ruburt’s body do you both become so literal, so determined. It seems you cannot trust the creative abilities’ biological translations—but the body is certainly as creative as the mind, in those terms. Whenever the two of you manage to free your creative abilities, and set them to work on the physical situation, you do see some results.