“Seth material” search engine (Jane Roberts)

(All in all, the whole affair is proving to be quite instructive in a number of ways. Eleanor is to see Emir for possible purchase. Jane’s ability to deal with others is obviously better. Her physical condition continues to show beneficial changes. I don’t think it any coincidence that Jane contacted Eleanor, who is the editor for Dick Bach, who is a counterpart of Jane’s. [Jane first called Pat Golbitz, but Pat was out of her office—so Pat doesn’t get to see Emir first.]

(More developments took place today, before I began typing this session. Tam called Jane to inform her that Eleanor called John Nelson [which Jane already knew] —but that Eleanor and her screenwriter friend had the money to do a movie for Seven. So we’ll see what develops in this continuing saga. Clare Townsend of 20th Century-Fox called Tam today and asked about seeing the manuscript of Jane’s second Oversoul Seven book, which Jane has just begun typing. Townsend is involved with Alan Neuman, of course, who also wants to do a movie of the first Seven book, etc. A chart made of all the events to date would show an interlocking pattern of lines, I believe, like a spider’s web. Hardly a “coincidence” that it all begins to develop at relatively the same time.)

This is particularly important since the body itself is now working with improvements involving the relationships of motion between its various parts, and the quickening of nerve impulses connected with motion. I am aware that much of that does not show as yet. Ruburt’s balance, however, while standing, has definitely improved. The body has gone through several complete processes of late, and as these occur each time the discomfort has been less, and of less duration.

Your own attitudes, however, have changed more than you realize, and the inner changes in Ruburt’s body will begin to show themselves in exterior improvements in performance. Ruburt knows he stands easier in the bathroom, for example, but did not realize that was significant.

The dream was meant to do two things: point out the fears that were still present, and to show you that though present, they were groundless. The car, which was the vehicle of expression, would not crash. It was not going backward. The backward motion referred to time, and how much time you felt existed between the book’s dictation and the delivery of Volume 2.