“Seth material” search engine (Jane Roberts)

(Much has taken place since then. Jane has withdrawn Emir from consideration at Prentice-Hall, and in back of that decision lies a story too complicated to recite in detail here. Tam’s letter of today catalyzed her action, however, when he told her that Prentice-Hall had decided to publish Emir through the children’s department. Jane feared the book, which she regards as the beginning of Oversoul Seven, would be lost in a tiny printing. The advance would also be very low.

(Jane relied on her impulses and Framework 2 for her decision—actions that she would have probably found very difficult to carry out earlier. “I still can’t believe I called up a publisher and told them to send back a book they wanted to publish,” she said more than once. “You can’t say I wasn’t spontaneous,” she added, “or that I was cowardly or wishy-washy....” Actually, a string of events, evidently out of Framework 2, were involved, and would make a most interesting study of how Framework 2 aids one in making decisions or bringing about events they want to see happen. Oversoul Seven is also involved in some fashion, especially the movie aspects —for when Jane called Eleanor Friede to offer her Emir, Eleanor told Jane she was about to call her about Seven, the call having to do with possible motion picture connotations, through a well-known screenwriter; that is the kind of event intertwined with the whole affair; nor have Jane and Eleanor contacted each other for probably a couple of years.

(More developments took place today, before I began typing this session. Tam called Jane to inform her that Eleanor called John Nelson [which Jane already knew] —but that Eleanor and her screenwriter friend had the money to do a movie for Seven. So we’ll see what develops in this continuing saga. Clare Townsend of 20th Century-Fox called Tam today and asked about seeing the manuscript of Jane’s second Oversoul Seven book, which Jane has just begun typing. Townsend is involved with Alan Neuman, of course, who also wants to do a movie of the first Seven book, etc. A chart made of all the events to date would show an interlocking pattern of lines, I believe, like a spider’s web. Hardly a “coincidence” that it all begins to develop at relatively the same time.)

The dream was meant to do two things: point out the fears that were still present, and to show you that though present, they were groundless. The car, which was the vehicle of expression, would not crash. It was not going backward. The backward motion referred to time, and how much time you felt existed between the book’s dictation and the delivery of Volume 2.

Tam’s answer is generally a good one. Many people rushed out to buy the book at once, and are impatiently awaiting Volume 2. Many booksellers ordered “Unknown”, sold many copies, and then returned large numbers. Reasoning that when the second volume came out, they would reorder and have both together.

A second-volume book can often work in such a way. But Volume 1 will do excellently as soon as Volume 2 is in the offing. And before that there will be other spurts, as those people who are now reading the earlier books will begin to look for Volume 1. There is a lag there.