“Seth material” search engine (Jane Roberts)

In a strange fashion desire promotes action seemingly without effort, or the effort seems so natural, so spontaneous and so joyful that it is not recognized as effort in the old fashion. The great artists did not use their abilities so much through the utilization of will and effort as they did through following their own natural impulses, desires, and intents. These form a true sense of purpose, so that the aspects of the will and the effort fall naturally into place to bring about the desires.

Now recently that phrase has been introduced into your suggestions. Because you are so used to the belief in exerting such effort, in the beginning, as I mentioned, some fear can be involved as you begin to let the effort go, while watching to see that you aren’t backsliding instead, or being irresponsible. This letting-go happens naturally just before the initiation of any creative endeavor.

It was natural enough for a while that Ruburt be quite aware of bodily sensation when he tried to “give up all effort,” but he is beginning now to sense the body’s pattern of activity, its relaxation, its stretching periods, and so forth. One important point: he gobbles experience, emphasizes it, studies it—and that quality also means that his bodily sensations are treated in the same manner. That is why the concentration upon the moment, upon his writing, upon, say, meals, immediately helps to take his mind off of his body. Remember desire in terms of Ruburt’s wanting to vacuum a rug, or whatever, and encourage those desires rather than an attitude of “I must do something physical today.”