“Seth material” search engine (Jane Roberts)

(“If you listen to your impulses and keep them clear—each one [in your sequence] will clear your path further. You both did wonder about the Silence Gallery affair, and decided not to mention it [to Jim Poett]. The call [which was action, a creative synthesis of your joint feelings], gave you information you didn’t have before—that The Voice [as an entity] knew of the Silence Gallery in a confused way. This means you can mention it and insist that they not be mentioned. It also means that you have additional knowledge to use in making your decision [about the interview].”

There is something I want to tell both of you, and I hope you can see what I am trying to say. Ruburt does not need to apologize to anyone for his less-than-perfect physical condition, nor feel that his physical lack of mobility—relatively speaking—casts aspersions on the sessions or on our work. Nor need he feel that in contrast to our material his physical performance is woefully inadequate. The wording of that last sentence is important, for obviously his condition is inadequate—but he owes no one an apology in that regard.

You should use both events to learn from them. What you do is not as important as your attitudes toward your decisions. Fears are understandable. They are natural, but it is not natural to be ruled by fears.