“Seth material” search engine (Jane Roberts)

Your intellect operates beautifully in the notes and appendixes of “Unknown,” but instead of rejoicing in it, you wonder if your notes lack the very kind of emotionalism that would make that particular kind of clear intellectual objectivity most difficult. When you are writing you are pleased, finally at least, with the working of your mind—but angry that you are not painting. When you are painting you feel guilty not only because the painting does not bring in money—by now not that much of a concern, only a nagging accusation—but there also you haggle at your intellect. You wish for the intensified emotional preoccupation that would close your mind to all else but painting.

Physical exercise becomes the area between, taking you from both your painting and writing, and furthermore is a reminder, an angry one, that the physical working area—the chores—are largely yours to do.

Ruburt emulates your own work habits, and tries to regulate his creative life so that it bears a resemblance to yours. He tries to be disciplined, put in his time, temper his emotional nature, so neither of you approve of yourselves. “Unknown” simply became the platform. It shows the excellent ways in which your natures interact, and that is what the reader will perceive.

Ruburt’s creative work is highly spontaneous. It comes in bursts, in its own way outside of time. He is very impatient at the work involved in inserting it into time. The misunderstandings—and this has been covered—lead to overreactions on both of your parts, and lead both of you to misinterpret your contributions, because initially you do not approve of yourselves.

These books are more than the work of one personality. They cannot be anchored to conventional ideas of time. In a strange fashion, they go faster than your lives, so physically you do have “catch-up time.”

(10:28.) Give us a moment.... His feeling that his work pattern should be like yours makes him worry when he becomes very relaxed. The suggestions I gave you about suggestion fell short largely because at the same time you could not jointly find a position of calmness. It should be easy for you to see that when Ruburt was ready you were not, or vice versa.

All of Ruburt’s concerns about that book have to do with his impatience in time terms. That has to do with his misunderstanding for he has not seen, really, that he is producing work for two personalities that cannot be squeezed into conventional publishing rhythms.

The work with predictions today, whatever the results, is creative, for it turns his mind into areas that will show results often in completely unpredictable psychic events. When you grab hold of your feelings of creativity, again, you have seen results, and you will see them. The ommm exercises can clear your minds. The freedom of communication will stop the erosion and buildup of fear.