“Seth material” search engine (Jane Roberts)

Ruburt emulates your own work habits, and tries to regulate his creative life so that it bears a resemblance to yours. He tries to be disciplined, put in his time, temper his emotional nature, so neither of you approve of yourselves. “Unknown” simply became the platform. It shows the excellent ways in which your natures interact, and that is what the reader will perceive.

(10:00.) It also formed a platform for the ways in which you misunderstand each other, and therefore has served as a symbolic road of contention. The contention is one caused by riches, creative riches, and abundance.

Ruburt’s creative work is highly spontaneous. It comes in bursts, in its own way outside of time. He is very impatient at the work involved in inserting it into time. The misunderstandings—and this has been covered—lead to overreactions on both of your parts, and lead both of you to misinterpret your contributions, because initially you do not approve of yourselves.

His ommm exercises can serve a good purpose; they calm body and mind at once, that is at the same time, and they can serve you also. They allow a period of disengagement in which the benefits from Framework 2 have time to act. I have said before to apply your creative attitudes in this area—and when you have, again, you have seen results. You have not felt free to express your fears to each other, for fear one will upset the other, and so the fears simply grow and then explode.

It does not involve criticizing creative abilities of your own by comparing them to others that you think you should possess.

My last session was largely ignored by both of you, and yet in it there were important clues. Your own painting is growing despite your own ideas of what you think it should be. “Unknown” is a creative triumph despite your joint ideas of what that book should be.

He quite understands the overall creative triumph. It is only when he tries to become overly literal that he becomes overly concerned with time. He has also reacted to your own doubts and fears about the book, and has picked up often your own ambiguity in that regard. Had he really been so against the idea of the book being produced as it was, he would have said so indeed.

Your feelings of hopelessness are your enemy. They must be encountered, not shoved under the rug. Often one could help the other, but when the feelings are not voiced they go underground. Ruburt should give himself so much time a day—an hour and a half, say—for free creative thought, writing or whatever that turns into poetry, painting? All right.

The work with predictions today, whatever the results, is creative, for it turns his mind into areas that will show results often in completely unpredictable psychic events. When you grab hold of your feelings of creativity, again, you have seen results, and you will see them. The ommm exercises can clear your minds. The freedom of communication will stop the erosion and buildup of fear.