“Seth material” search engine (Jane Roberts)

You have written the equivalent of your own book from a unique standpoint in “Unknown,” but neither of you have really been able to recognize that. Ruburt, being true to his spontaneity, would forget publishing details. It is his attempt to try and match your individual methods of thought that confuse him. He is producing his books and mine —a double kind of production that entails almost two publishing schedules.

These books are more than the work of one personality. They cannot be anchored to conventional ideas of time. In a strange fashion, they go faster than your lives, so physically you do have “catch-up time.”

My last session was largely ignored by both of you, and yet in it there were important clues. Your own painting is growing despite your own ideas of what you think it should be. “Unknown” is a creative triumph despite your joint ideas of what that book should be.

Despite your joint ideas of what that book should be (emphatically).

All of Ruburt’s concerns about that book have to do with his impatience in time terms. That has to do with his misunderstanding for he has not seen, really, that he is producing work for two personalities that cannot be squeezed into conventional publishing rhythms.

He quite understands the overall creative triumph. It is only when he tries to become overly literal that he becomes overly concerned with time. He has also reacted to your own doubts and fears about the book, and has picked up often your own ambiguity in that regard. Had he really been so against the idea of the book being produced as it was, he would have said so indeed.