“Seth material” search engine (Jane Roberts)

(As we sat for tonight’s session we made two important connections; 1. When the refrigerator turned itself off I expressed relief at the sudden quiet. But Jane said the silence bothered her—the kind of remark I’ve always heard her make. Then she said that as a young child she was always uneasy at home when it was too quiet—that those were the times when she worried about what her mother was up to. When Marie had been making noise, involved in noisy activities, Jane had felt much better, safer. 2. This insight led Jane to an obvious one neither of us had ever made before: that when she gets a letter in which the writer threatens suicide if Jane doesn’t help him or her, this is like Marie threatening the young Jane that she will commit suicide.)

The person, therefore, often “cannot live up to his art.” Ruburt wants to embody his art. He expects himself to possess all of the qualities that his art tries to entice from human nature. If man can be a natural healer, and he says so, then he personally should heal others and himself. That is his reasoning. If he is gifted with words in writing, and gifted in speech, then he feels that he should go out bravely into the public arena, and speak out his message to the world.

I am not making value judgments of my own here in the following remarks. His subconscious, however, knowing its own beliefs which were given it by the conscious self, after all, feels highly threatened, for it knows not more about Ruburt than he does, but more than Ruburt will admit he knows. He expects himself to do such things, and the minute he gets better, he says, he will go thusly out into the world.

You felt that commercial art would work financially, because it belonged to the times, yet even then the comic book market, you felt, was falling beneath you as the public’s ideas changed, and (Mickey) Spillane’s comic strip fell beneath censure. You simply would not, later, curry the world’s favor with your paintings—even if, through hard work, financial success might follow. You did not trust people to know good work when you produced it.

(10:05.) In one way or another, both of Ruburt’s parents had little use for the world, and did not trust it. None of your parents, in other words, had an easy give-and-take with their fellows in that regard.

Ruburt decided to brazen it through—to do his thing and be paid for it. At the same time Ruburt carried the fears mentioned. He hoped for the world’s approval, for he knew his work was good. On the other hand he carried the beliefs of this afternoon’s dream—that originality made a person instantly suspect, and that in the ordinary world, if you put yourself in the world’s eye its people would hunt you down. In opposition, he carried the belief that he should go on television, make tours, and so forth, and expose himself in direct opposition to those fears.

The exaggerated fears carried threats not simply of scorn, but as you so clearly put it the other evening “Those people would burn us at the stake if they had the chance.” To save Ruburt from such possible assassination, the symptoms were not considered too strong a measure. But in the face of that kind of exaggerated threat they were considered very strict, but reasonable enough under the conditions. The subconscious was not too pleased with them.