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TPS4 Deleted Session April 5, 1978 12/38 (32%) public fears art threat livelihood
– The Personal Sessions: Book 4 of The Deleted Seth Material
– © 2016 Laurel Davies-Butts
– Deleted Session April 5, 1978 9:37 PM Wedesday

[... 7 paragraphs ...]

The points Ruburt brought up immediately previous to my speaking involve connections made because the subconscious was responding, and trying to give you further information.

I want to begin, however, by making some rather neutral but important points. You age of communications has significantly altered public and private life, so that for example by mail Ruburt might receive as many petitions as the king of a country in times past. People of no other age, historically speaking, have had to contend with the dimensions of public exposure that are now possible.

[... 2 paragraphs ...]

The person, therefore, often “cannot live up to his art.” Ruburt wants to embody his art. He expects himself to possess all of the qualities that his art tries to entice from human nature. If man can be a natural healer, and he says so, then he personally should heal others and himself. That is his reasoning. If he is gifted with words in writing, and gifted in speech, then he feels that he should go out bravely into the public arena, and speak out his message to the world.

I am not making value judgments of my own here in the following remarks. His subconscious, however, knowing its own beliefs which were given it by the conscious self, after all, feels highly threatened, for it knows not more about Ruburt than he does, but more than Ruburt will admit he knows. He expects himself to do such things, and the minute he gets better, he says, he will go thusly out into the world.

This is the same person who on the other hand used to put up barriers of bookcases at one end of the living room to protect himself from any neighbors or miscellaneous callers; who objected when Mr. Gottlieb dared to cross into his private working area and glance at a paper. In the face of those fears, Ruburt did progress from someone who was afraid to read poetry to friends, to someone who ran an excellent class of nearly 50 people—all of the time denying that any fears existed. Not faced, the fears grew.

[... 2 paragraphs ...]

(10:05.) In one way or another, both of Ruburt’s parents had little use for the world, and did not trust it. None of your parents, in other words, had an easy give-and-take with their fellows in that regard.

Ruburt decided to brazen it through—to do his thing and be paid for it. At the same time Ruburt carried the fears mentioned. He hoped for the world’s approval, for he knew his work was good. On the other hand he carried the beliefs of this afternoon’s dream—that originality made a person instantly suspect, and that in the ordinary world, if you put yourself in the world’s eye its people would hunt you down. In opposition, he carried the belief that he should go on television, make tours, and so forth, and expose himself in direct opposition to those fears.

[... 2 paragraphs ...]

The exaggerated fears carried threats not simply of scorn, but as you so clearly put it the other evening “Those people would burn us at the stake if they had the chance.” To save Ruburt from such possible assassination, the symptoms were not considered too strong a measure. But in the face of that kind of exaggerated threat they were considered very strict, but reasonable enough under the conditions. The subconscious was not too pleased with them.

[... 3 paragraphs ...]

Now: Ruburt has had nearly enough for this evening, considering today’s activities, but I will get to all of your questions in the very near future.

[... 1 paragraph ...]

Ruburt became frightened, for example, of out-of-body travel when he began to get it in his head that “all the nuts” were doing it too, and that out-of-body activity involved him in an inner public environment, in which he might meet “all those fools” who were then not bound by physical restraints. He did not fear death, for example, at the hands of others, then, but too close emotional contact. He felt people “could get at him” that way.

[... 4 paragraphs ...]

The Framework 2 material provided Ruburt momentarily with enough faith to show some physical improvement. Faith will indeed dissolve fears.

Give us a moment.... Fears turn into severe anxiety, however, formless, when they are not identified and understood. The Silent Gallery people epitomized Ruburt’s fears in a fashion, and though I have given material in several ways pertaining to the fears, Ruburt never consciously acknowledged them, but shoved them under. The subconscious should be reminded of the help that is available from the source self, for its fears began before it had that information, and the fears themselves caused blocks that prevented assimilation of the knowledge later.

[... 4 paragraphs ...]

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