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TPS4 Deleted Session April 5, 1978 3/38 (8%) public fears art threat livelihood
– The Personal Sessions: Book 4 of The Deleted Seth Material
– © 2016 Laurel Davies-Butts
– Deleted Session April 5, 1978 9:37 PM Wedesday

[... 10 paragraphs ...]

Give us a moment.... Art always serves as some self-disclosure, in which the art stands for the person, and the art is sent abroad, for example. The art stands for more than the person. In a way it reaches higher than the person, in that it expresses dimensions of imagination or inspiration that are heroic, and often by nature it speaks of capacities that cannot be fully expressed except through art.

[... 3 paragraphs ...]

Now, to some extent, in pragmatic terms, you must look at your backgrounds. Your father greatly distrusted the public and public events. When his battery shop closed and the public turned to the new inventions, that made his livelihood passe. He disliked the public from that moment on, and felt resentful toward those whose pictures he took, that his livelihood would be at the expense of their favor.

[... 17 paragraphs ...]

Give us a moment.... Fears turn into severe anxiety, however, formless, when they are not identified and understood. The Silent Gallery people epitomized Ruburt’s fears in a fashion, and though I have given material in several ways pertaining to the fears, Ruburt never consciously acknowledged them, but shoved them under. The subconscious should be reminded of the help that is available from the source self, for its fears began before it had that information, and the fears themselves caused blocks that prevented assimilation of the knowledge later.

[... 4 paragraphs ...]

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