“Seth material” search engine (Jane Roberts)

Then he feels that he is in at best an ambiguous position, for the world continues doing as it will, and his correspondents, solving one problem, immediately write with another. This kind of situation of course then triggers old fears of doubt or threat. Those fears are then not admitted, for he thinks that they must indeed be beneath a person whose entire life work is devoted to a search for the nature of reality, and therefore a person who must possess, or try to possess, the answers to all of the questions.

He did not want me to tell you this—but your seriousness, much as it is well-intended in “Unknown” 2 and its notes, bothered him. They inclined him further to think in terms of his life’s work as a highly serious, no-nonsense endeavor, a body of work to be set against the world’s other great works.

In those circumstances, free creativity itself almost becomes suspect, for supposing his creativity turns up an element that is contradictory? Or again, that will be misinterpreted, that will be used “wrongly” by others? In that kind of a climate, both inner and outer worlds to some extent must be protected against. I have given material saying that most clearly on innumerable occasions.