1 result for (book:tps4 AND heading:"delet session april 11 1978" AND stemmed:spontan)

TPS4 Deleted Session April 11, 1978 4/35 (11%) overemphasis pendulum lifework career triggers
– The Personal Sessions: Book 4 of The Deleted Seth Material
– © 2016 Laurel Davies-Butts
– Deleted Session April 11, 1978 9:44 PM Tuesday

[... 7 paragraphs ...]

Our sessions began, really, as an extension, a natural enough development, the results of a personal search. Give us a moment.... I have given more material than I can say on the subject of Ruburt’s attitude toward creativity and what happens when he emphasizes the idea of work as work, or as a career, above his spontaneous creativity. I got my message through to some degree on several occasions for example, when his arms were suddenly free. It is the overemphasis upon work and career—overemphasis, now, that brings about or triggers the fears behind the difficulties.

When he is emphasizing his own creativity, encouraging it, encouraging its spontaneity, then that flow has its own impetus and direction. It is freeing spiritually and physically. That flow releases or incites solutions, and is overall, say, of itself fear-banishing.

[... 9 paragraphs ...]

The sessions I gave on spontaneity and work should be most helpful now, as long as the fears are now being admitted. There is nothing wrong with fears. Unidentified fears are something else.

[... 6 paragraphs ...]

(10:40.) Rest your fingers.... The most important thing, of course, is that you have set up communication, so that Ruburt’s fears are no longer being inhibited. But those fears must be considered in the light of the material given this evening. Remember, I am speaking of an overemphasis upon the idea of work, not about a normal concern about book publications, or career concerns, those are certainly reasonable. The overemphasis brings up the public image idea, so that Ruburt compares himself personally against some composite image that he imagines other people have of him. First of all, truly creative “work” is timeless. It must appear in time, but its nourishment is not like that of a baker’s loaf, and its “practicality” cannot be reduced to such terms. Ruburt’s lifework so far has been produced—again, so far—because despite such erroneous beliefs he has still allowed himself a creative spontaneity. But in the recent past that spontaneity has had to emerge against those resistances.

[... 8 paragraphs ...]

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