“Seth material” search engine (Jane Roberts)

It was important that Ruburt state his position, for example, by saying clearly that the symptoms threatened him, and that they threatened him more than any scorn, and important also that he state that the symptoms inhibited his writing. Once the pendulum shows you that the subconscious does understand, however, it is all right to check now and then,but those statements can act as negative suggestions otherwise. Each session should be thought of with its questions in consecutive terms, so that later questions follow the reasoning pattern already given.

(10:40.) Rest your fingers.... The most important thing, of course, is that you have set up communication, so that Ruburt’s fears are no longer being inhibited. But those fears must be considered in the light of the material given this evening. Remember, I am speaking of an overemphasis upon the idea of work, not about a normal concern about book publications, or career concerns, those are certainly reasonable. The overemphasis brings up the public image idea, so that Ruburt compares himself personally against some composite image that he imagines other people have of him. First of all, truly creative “work” is timeless. It must appear in time, but its nourishment is not like that of a baker’s loaf, and its “practicality” cannot be reduced to such terms. Ruburt’s lifework so far has been produced—again, so far—because despite such erroneous beliefs he has still allowed himself a creative spontaneity. But in the recent past that spontaneity has had to emerge against those resistances.