“Seth material” search engine (Jane Roberts)

He cannot fake it, so he improves in direct proportion to his growing trust of the inner self.

The period of recovery, as he has set it up, is also meant to impress upon him the fact that the kind of venture he embarked upon physically is not one to be thrown aside overnight. Each new improvement is a triumph of trust, and the reeducation is highly important, for he is constantly impressed with the fact that he will not go that way again.

The improvements, therefore, are lasting. He trusts them. An “instant” recovery would have been too easy, in that he might have reasoned in the future that such a course was after all safe: he could always snap out of it at any time.

This method however also brings about a kind of alliance with the body highly important for Ruburt. I do not mean to imply that the recovery will be drawn out indefinitely, either, for it will not be. He is building a solid framework for flexibility, however.

When he worries about his book, this is simply a demonstration of the still-remaining lack of trust in the motion of his own psyche. The painting, however, and the poetry, sets him into motion, releasing the trust that will then flow into his other writing. He is being restructured physically.

This means that he is bravely and fully encountering himself, so if he comes up against worries for example about his work, tell him to be patient. He is encountering and solving his difficulties. The book is also progressing precisely because he is reaching areas of development necessary to its completion.