“Seth material” search engine (Jane Roberts)

I want to give you some understanding of Ruburt’s physical progress. The arms are important for balance, and are being released. The same process that released them is occurring in the legs. As he said once, he does not walk on his arms, so the improvement in the legs takes place in such a way that balance can be maintained. There is more pressure on the knees than on the elbows.

Physically Ruburt is making great strides, but do not become impatient, again, with the walking, for certain improvements cannot show physically until a certain overall proficiency is reached. Those changes are occurring. Ruburt is subjectively aware of them.

When he is proficient with the bathroom routine, which you were very wise to begin, we will start some other simple new routines, one at a time, instilling appropriate body reaction to a safe universe. Ruburt’s actions were appropriate for the horror program, and so were some of yours when you were afraid of painting because it did not bring in money. Our books bring in money, simply because money at your level of activity is a natural result of spontaneous creativity. Your paintings will bring in money when they are the result of spontaneous creativity. Ruburt’s spontaneity escaped all of his “language,” in other words. His physical mobility will result from the body’s spontaneous creativity. He is not to walk normally because he should, any more than he should write “because he should.” He is a writing kind of being, and he is a walking kind of being.

Not walking properly was an inappropriate defense mechanism no longer needed, a reaction in response to a program that made him feel unsafe.

There will be definite, rather immediate changes apparent in walking, but a balanced stance must be maintained, and the entire lower region of the body is being activated. The toes and fingers are connected, and later I will give you material on the physical interworkings for valuable reference. The idea of safety is of prime importance.