“Seth material” search engine (Jane Roberts)

The unknown reality: each of you in your own way have been involved in studying its dynamics. You have done this with your art; and began, in your terms, as a child of your parents with the teachings of that culture. So you started by drawing what you saw physically, and to some extent like the scientists you tried to capture the exterior appearance as faithfully as you could.

Form, shape and color—these at first delighted you as you tried to reproduce on paper what you saw in nature. Intuitively any real artist feels the spirit within matter, and unconsciously at least tries to portray it. Some so-called objective painters, however, use the form to quite imprison the spirit within it. Your friend Larry (Herschaft) was quite perceptive, and your Dialogue sketches and the rock (face) show on your part a growth qualitatively of artistic understanding, and technique used to the service of inner realities.

The integrity of form is not denied, but is allowed to merge with the greater vitality that gives the form its meaning. This will allow you to give form, literally—in your terms at least—to the formless, or rather to realities whose inner forms are not usually fully perceived.

Nor is it any coincidence that this freedom and emergence on your part coincides with Ruburt’s sure stages of recovery. Each of you, in your own ways and on the grounds that you chose, were dealing intimately with challenges as you tried to decipher the unknown reality and bring it into physical manifestation as best you could.

Bantam’s “Speaks” will do very well, and so ultimately will Seven. Here also you are dealing with blueprints for reality. As you probably know, you will have no financial worries. Here, in that area excellent achievements have been made, and old beliefs overrode, that were important, concerning both art, society, and finances. This applies to both of you.