“Seth material” search engine (Jane Roberts)

Form, shape and color—these at first delighted you as you tried to reproduce on paper what you saw in nature. Intuitively any real artist feels the spirit within matter, and unconsciously at least tries to portray it. Some so-called objective painters, however, use the form to quite imprison the spirit within it. Your friend Larry (Herschaft) was quite perceptive, and your Dialogue sketches and the rock (face) show on your part a growth qualitatively of artistic understanding, and technique used to the service of inner realities.

The integrity of form is not denied, but is allowed to merge with the greater vitality that gives the form its meaning. This will allow you to give form, literally—in your terms at least—to the formless, or rather to realities whose inner forms are not usually fully perceived.

You (Jane and I) have to a large degree thrown aside old belief systems, and dared to rely upon ideas given largely to you by me. These caused you to probe into the nature of your own beings in most intimate fashion, and yet were meant to lead you into that inner world of events—because each of you wanted to take that chance, and make that journey.

The inner dynamics of being—physically materialized—presuppose challenges, and those are set adventurously, always with the knowledge of creativity, and of various solutions. Ruburt should look over his dream material again, to find further correlations between it and the stages of his recovery, further correlations between the inward and outward sequence of events.