“Seth material” search engine (Jane Roberts)

(After supper Jane began experiencing a profound, heavy, liquid, watery and supportive kind of relaxation throughout her right side from head to toe. Then her left side became involved to some degree. She told me she felt cushioned and supported, and my estimate was that she was undergoing an increase in circulation, along other things, and that it was all to the good. She looked wet-eyed, bleary, half-asleep, sitting on the couch. I thought she’d probably not have a session, but eventually she decided to after we had talked it over. Her decision was very fortunate. She also knew of my questions about counterparts that I’d come up with as a result of my work on The “Unknown” Reality: were Jane and I counterparts; and, to resolve a contradiction—in two different sessions in that book, were George Rhoads and I counterparts, or weren’t we? Jane was somewhat “out of it”, or better, by session time.)

(9:55.) Give us a moment.... There are various degrees of pressure in the body, supporting the organs, joints, and so forth. Any alterations are reflected in that inner pressure. The added circulation does indeed cushion muscles and joints, allowing for easy motion. What was undone in several hours this evening took a year and a half to set up. Of course, it was precisely points involving motion that were impaired. Ruburt has excellent knowledge of the body’s motor capacities on an unconscious level. The exterior motion is obviously the result of inner connections that are now being released in the proper way.

Ruburt has recently used the suggestion “Infinite intelligence leads me and guides me in all my ways.” If you thoroughly understood what that means then you do indeed live and experience a safe universe. Your pendulum will give you the specific reasons for any difficulties, but behind these ever-changing reasons is always the sense of insecurity you feel when you believe the universe is against you to whatever degree. It works with you when you let it, and you attract to yourself all of those conditions that are cooperative to your ventures.

Now: when you anticipate problems from Prentice, you attract them. You do not know what would happen, pragmatically, if you did not imagine such difficulties, because in one way or another you have always anticipated them from the beginning. You had no such ideas of a safe universe then. There are people in any organization who are in the habit of sloppy work. There are also people in any organization who have fairly decent standards of excellence. But even the sloppy workers will indeed pick up your ideas of excellence, and try to translate them, finding even a new satisfaction in their work—but only if you think of what you want as a product, and not what you fear you will get instead.

Your own annoying physical symptoms have been caused largely because of the matters just mentioned—either worry over “Unknown” Reality, or painting, or Ruburt. Beneath it all, however, is the insecurity resulting from passé beliefs in the unsafeness of the universe.

As far as the book is concerned, change your habits of thought, EASIER SAID THAN DONE, and yet quite possible. Think of what you want in the book. See it clearly. Imagine it existing without any interference or disturbances, simply easily as a mental image.

This sends out what you want. Think of all of the unknown elements cooperating to help bring about that creation. Then your visions will be physically actualized. You will be doing something constructive to bring them about. The method is unbeatable, and is the way to actualize any kind of really creative venture.

(Long pause at 10:50.) I know the contours of your minds and consciousnesses far better than you may imagine. It is time when all of your efforts suddenly bear fruit, when inner techniques have been practiced, and suddenly click into focus and actuality. So you are at such a springboard when your understanding does propel you into a quantum leap of understanding. Later it seems simple. This can be compared to what you said to Ruburt concerning your paintings today—only instead life is involved. It is the painting that is suddenly simple.

You (me) even arranged it so that the kind of art you wanted to do could not be done in the accepted framework of artistic reference, but would necessitate such a growth of consciousness. You chose problems, each of you, challenges, that would lead to such a development. I will tell you now that that leap is assured—for had it not been assured in what seems to be your future, I would not have emerged in your past (whispering.