“Seth material” search engine (Jane Roberts)

Each of you built up your own set of defenses, because you did not believe that the universe was safe for creativity. Ruburt fixed it so that he could only sit at his desk—and for all your protests, my dear friend, you acquiesced. He finally became so physically upset that he is ready to dismiss the symptoms. But he also needed your help, because while the main method was his, your intents were in unison and the same—to protect yourselves and your creativity from an unsafe universe. The unsafe quality showed two faces. One: you had to cut out distractions. And two: one of you had to make money with your art or you would not survive. Between the two of you, you made your decisions.

In actuality your creativity escapes all such bonds, and definitions. Your notes for the book can come easily, literally in half the time they do now take because of your beliefs. (Although I’m not aware of having any complaints here.) Your painting in physical terms can take half the physical time that it now takes because of your beliefs. You can no longer equivocate, either of you. Your creativity seems to have burst the practical elements of time. That is, your painting, Ruburt’s work, and my books seems to be “too much” in terms of time only because you have not let your intuitive understanding of creativity grow with your experience. You are between gears, so to speak. It is a creative period, far more significant than you realize, and you have set a challenge for yourselves because you know that you can break through the barriers of old beliefs.