“Seth material” search engine (Jane Roberts)

(This session came about quite unexpectedly just before midnight, after we’d had company—the Leahys from the end of Pinnacle Road; Jane had called them at supper time this evening and asked them to visit us. They left at about 11:30 PM. I then told Jane that I’d been feeling poorly all week—to such an extent, even, that I’d wondered if I was developing an ulcer. But my distress was also more general than that, so I felt other things were involved. I’m including a few notes here to remind myself of this session’s context when I reread it in later times.

(I should say here that one of the things the pendulum told me early in the week was that I was concerned because Jane wasn’t having regular sessions any more —that I felt she was missing something important in her life because of this lack. After the session I told her that having a session a week didn’t really interfere with my own routine; etc. She said she understood, so we’ll see what develops here.)

When that status quo shows signs of changing, you become disturbed. You stop the suggestions. In your society money is like a weapon that you need to protect yourself. You cannot equivocate (to me, forcefully). You must completely accept the fact that you do indeed dwell in a safe universe—one in which you are free to develop, say, your painting abilities to the fullest, without fearing that that development will dull the weapon that brings you money.

You have within your grasp the understanding to clear all these issues, but you have come to a point in your life where you cannot equivocate. You see about you the results of such compromise, and each of you have always been determined to entirely work though the belief systems of your era. While others can tell themselves stories, or be content with rationalizations, neither of you could take that road. In an important respect, therefore, your own disquiet has been creative, for it was meant to make you question.

In actuality your creativity escapes all such bonds, and definitions. Your notes for the book can come easily, literally in half the time they do now take because of your beliefs. (Although I’m not aware of having any complaints here.) Your painting in physical terms can take half the physical time that it now takes because of your beliefs. You can no longer equivocate, either of you. Your creativity seems to have burst the practical elements of time. That is, your painting, Ruburt’s work, and my books seems to be “too much” in terms of time only because you have not let your intuitive understanding of creativity grow with your experience. You are between gears, so to speak. It is a creative period, far more significant than you realize, and you have set a challenge for yourselves because you know that you can break through the barriers of old beliefs.