“Seth material” search engine (Jane Roberts)

(However, by late in the week I could see patterns emerging through my use of the pendulum, all concerning related feelings, doubts, etc., and was reassured that I was on the way to uncovering the source of my physical distress. My stomach felt somewhat better; Other pains in my body, while persisting, didn’t concern me so much. At the same time, through it all I could eat what I wanted, drink, etc., and the painting was going very well. I have, in regard to the latter, solved several challenges with painting—from the time we moved to Pinnacle Road—and now feel that I have a clear road there as to how I want to do things into the indefinite future, etc. This in itself has been a great boon; I have good confidence there; many problems have been resolved.

In actuality your creativity escapes all such bonds, and definitions. Your notes for the book can come easily, literally in half the time they do now take because of your beliefs. (Although I’m not aware of having any complaints here.) Your painting in physical terms can take half the physical time that it now takes because of your beliefs. You can no longer equivocate, either of you. Your creativity seems to have burst the practical elements of time. That is, your painting, Ruburt’s work, and my books seems to be “too much” in terms of time only because you have not let your intuitive understanding of creativity grow with your experience. You are between gears, so to speak. It is a creative period, far more significant than you realize, and you have set a challenge for yourselves because you know that you can break through the barriers of old beliefs.