“Seth material” search engine (Jane Roberts)

Ruburt’s methods of dealing with such a situation were highly apparent, in his physical symptoms. Yours were not as easy to perceive. They did not show. In an unsafe universe you run your personal life along certain lines. This applies generally more or less, and specifically to you also. In that context you do not trust good fortune—indeed, it seems practical not to trust it. You hide good fortune for fear it will be taken away. It does not seem to belong in an unsafe universe. You do not tell people that you are doing well—you tell them that you must work from morning to night; that you do not have enough time. You have to prove that you are as hassled as they are.

(9:40.) You have built up the idea of free time being wrong, sinful, no matter what you tell yourself about wanting more of it. That is one thing. Deeper, however, is the fact that the belief in an unsafe universe sets up certain habits of resistance, and more practically, of self-protection. The resistance is protective. It shows itself in fears that seem perfectly realistic, and indeed highly practical—the feeling itself is not let go of easily, for you and others rely upon it. It is a state of alarm and readiness. You are so used to feeling unsafe that you consider alarm of one kind or another as a realistic approach to life.

In your world, however, and according to your beliefs, some “realistic” events had to prove out the practicality of the safe universe in publishing terms —so you have a creative conflict.

At John’s level, and in his unsafe universe, the events still prove how valuable the books are, since, to whatever extent, they are fought over. At Ruburt’s level and your own, the events show you that the universe, as it applies to your publishing world is safe—with leeway for action—and also opens up creative relationships with people at Prentice that were latent before. Now, these become “practical,” where before they were not considered so. This means that a great deal of energy is released.