“Seth material” search engine (Jane Roberts)

This is highly important, because it means that you have been taught to accept, for example, bad conditions as appropriate and realistic, while immediately suspecting so-called good events. Waiting then for the ax to fall, so to speak.

John can be assured of their worth, then, and so can Prentice and so can you. At the same time the so-called conflict is also a result of your new beliefs—but taking the form of events that seemingly make sense to all of you.

In your world, however, and according to your beliefs, some “realistic” events had to prove out the practicality of the safe universe in publishing terms —so you have a creative conflict.

At John’s level, and in his unsafe universe, the events still prove how valuable the books are, since, to whatever extent, they are fought over. At Ruburt’s level and your own, the events show you that the universe, as it applies to your publishing world is safe—with leeway for action—and also opens up creative relationships with people at Prentice that were latent before. Now, these become “practical,” where before they were not considered so. This means that a great deal of energy is released.

On one level, for example, you are then freer with your money, distributing it to whatever degree in the economy. In deeper terms the thoughts of abundance affect the inner order of events, minimizing the threat felt by others.