“Seth material” search engine (Jane Roberts)

You would not go shopping or do any chores you did not absolutely need to do. Your work would be clear and unimpeded. It would dictate what decisions you made. You felt like working and so you worked. It would make little difference, and this applies to each of you, whether you worked 12 hours for three days straight, or whether you worked more regular hours. Following your inclinations, you would discover your own prime working creative rhythm.

(10:25.) Spontaneity knows its own order. The creative self is the most spontaneous of all. There are hidden rhythms of creativity that you do not take advantage of, and I am not speaking here to you (RFB) alone. They become overlaid with cultural habits. The suggestions I have made will help release these, and allow you to utilize them. It is rather silly to see people every Friday night on schedule unless that policy suits you. It is silly, however, in the same way to force yourself to concentrate at a time when you really yearn for activity. As it is, you often feel guilty whether you work or play, so to speak. Obviously you may not each feel the same way at the same time, but if you clearly communicate your feelings to each other, that is no problem. The material is valuable if you use it. It represents a way of handling your energy that is native to your own being, and permits creativity its easiest, most natural flow.

I do not want to go into long explanations about tonight’s earlier material. The advice is practical. Behind the habits, however, lie beliefs concerning creativity and the world.

(Long pause at 10:36.) Give us a moment.... Your creativity spans all of reality. In our work we answer questions that are yours together, and yet questions that arise from the hearts and minds of many people—people like the woman who called this evening.

To some extent you do not trust your own creativity enough, but think that it is so weak that it will be destroyed or dissipated by the slightest distraction. You become so worried for it that you can overprotect it, and deny it its natural resiliency and power. When you want to work, do so, for as long as you feel like it, committed to it freely, having decided then that for that time, nothing will be allowed to interfere.

It means trusting yourself, following your own rhythms, riding the thrust, the aggressive and joyful thrust of your creativity full blast, so to speak. But it also means no artificial rules. It is simplistic to say that you need food to work, and yet going out into the world in such a manner does indeed become its own creative endeavor when it is clearly embarked upon. If you follow my advice, a natural balance will result. The chores will get done, but they will no longer be chores. Your guests will be enjoyed because you will see them when you naturally feel so inclined.

You have both been concerned with these problems. After your discussion this evening, Ruburt asked me to say what I could. He is freer now, but all of this applies to him when he resumes on another book. I cannot emphasize the validity and importance of these suggestions too much. Particularly the clear flow of both the creative and psychic abilities.