“Seth material” search engine (Jane Roberts)

Riding the creative energies in that manner, you see, would allow him to recognize his own rhythm, flow and ebb. When his mind was tired it would automatically signal the body to physical activity, walks, changed environment, and so forth. The point of such a suggestion however rests in writing freely. When he is writing and also thinking that he should go for a walk then the conflicts arise more strongly. He knows that he wants to be writing. The conflict itself then prevents the follow-through thrust, so that he does not feel the natural relaxation that would follow, or the natural resulting desire for activity.

Your temperaments are different, yet in your way at a somewhat later area, you experience the same kind of phenomena in a yearly cycle. In winter, whatever attitudes Ruburt has are intensified, emphasized, worked with, but it is not a period conducive of change or fluidity.

There is much more, generally speaking, and one day I hope to give you much material for its overall benefit. Since infancy for example Ruburt’s hormonal output has always increased in spring and autumn, and all of the important affairs of his life are initiated then. There are periods of quietude, flux and change then, in each individual’s life, that are to some extent connected with the point of emergence into space and time. They are simply various kinds of patterned behavior, swirls of interactions as the soul meets space and time.

If this is understood clearly as a method, then Ruburt will realize that he is quite at liberty to change a method, particularly when he has run it into the ground. Nor should he berate himself, for a method is a learning process, and from it he has indeed learned much. He knew well, however, that the method was taken only for a time. The fears about the future are natural triggers within the method itself, that automatically prevent it from going too far, and that signal the end of the method itself.