“Seth material” search engine (Jane Roberts)

To some extent you are unable to explain the secret nature of your own painting. You refuse to use it as collateral. Not only that, but your paintings are not an attempt to communicate with the world, or to get anything from it. You think you should—that is, you think you should sell your paintings, or make some effort in that direction. Instead they are communications between yourself and the universe, without the need, necessarily, that others approve or disapprove, or see or not see. In your writing, however, you want to communicate.

(11:21.) Ruburt responds to people, however, more than you. Your feelings about the world—to some extent—are mental and hypothetical. You isolate yourself from people in a way that he does not. Since he is more emotionally outgoing and literal-minded, he cannot close himself off emotionally in that regard. In a way, he is not using discrimination. You use an emotional aloofness with the world, and he has become physically aloof instead.