1 result for (book:tps3 AND heading:"delet session june 27 1977" AND stemmed:paint)

TPS3 Deleted Session June 27, 1977 4/90 (4%) expression love verbally stomach unrealistic
– The Personal Sessions: Book 3 of The Deleted Seth Material
– © 2016 Laurel Davies-Butts
– Deleted Session June 27, 1977 9:43 PM Monday

[... 3 paragraphs ...]

(1. My stomach. Have had a lot of discomfort lately. On June 22 the pendulum told me that my stomach bothers me not because I don’t spend enough time painting, but because I feel guilty at spending the time I do, in view of all the other work with Jane that I feel I should be doing: working on sessions, “Unknown” Reality, etc.

[... 33 paragraphs ...]

To some extent you are unable to explain the secret nature of your own painting. You refuse to use it as collateral. Not only that, but your paintings are not an attempt to communicate with the world, or to get anything from it. You think you should—that is, you think you should sell your paintings, or make some effort in that direction. Instead they are communications between yourself and the universe, without the need, necessarily, that others approve or disapprove, or see or not see. In your writing, however, you want to communicate.

[... 3 paragraphs ...]

When you think that Ruburt is being taken advantage of then by the world, in any way involving money, then you feel guilty that you do not use painting to procure money.

[... 1 paragraph ...]

Intellectually he accepts it, but emotionally he yearns for that direct expression. The child may think “My teeth are fine, why yell at me to brush them?” Ruburt thinks “What is there that allows you to speak your concern more actively than your love?” He is verbally oriented. Words have rhythm—emotional rhythms, to which he is acutely attuned. You are saying “I love you. My art is, for whatever reasons, private. I respect it. It involves a method of expression, and a primary stance of my life, regardless of what it brings or does not bring. I am sorry that somehow I cannot use it in the way that you use your writing, and even in the way that I can use mine. When I think that others take advantage of you in monetary terms—government, publisher, or public—it makes me wonder why. I wish that my painting could bring you abundance in social ways also. I feel guilty sometimes when I paint for that reason. I know that you understand on deep levels. I wish I could express my love verbally, but if not, I will express it is this fashion.”

[... 45 paragraphs ...]

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