“Seth material” search engine (Jane Roberts)

(10:00.) For one thing, you do not respect position, and your attitudes are clear, through your notes and Ruburt’s introductions. You do not play up whatever “important” contacts you have made. Ruburt could easily have given impressions concerning, say, Richard Burton, to Goodheart (Bill), who would have been initially impressed, and would have spread the word. Ruburt disdains such maneuvers.

(10:53. Jane’s pace throughout had been good, and limited only by my own writing speed. I thought the material was excellent in all respects. I didn’t see how the insights could be better, I told Jane, and will try hard to implement them. I thought part of the material was hilarious, about our attitudes toward the world. I think that Seth’s expression for me of my feelings toward Jane were most accurate and penetrating—the kind of information one could spend months acquiring with the help of others, say. My own pendulum answers had steered me in the right direction, I saw, but were far short of being complete enough. I felt better than I had in some time.

Your father expected the worst of the world. You have not seriously, with determination, examined those beliefs. If they were true the world simply would not have lasted this long. Nuclear destruction has little to do with it. If anything, it adds to my argument—for if those theories really held sway, one nation or another by now would have already destroyed your world. Hence, you do not make any simple, joyful remarks, like “The book will be out in England or Germany,” and indeed, you take little pleasure from that, but leap ahead to the imagined threats. A man protects his family because he loves it—but in his love he can see threats all around.

He reacts practically, then, by avoiding what he thinks of as conflict, and you do not help in that regard, for by temperament you are not particularly attracted to the world. He feels he is so attracted, temperamentally, and so puts on physical guards. The bridge here involves the natural world, his love of nature, the connections between poetry, strolling the natural world as opposed to the social one.

You do not expect the world to understand good work. You expect the artist, in whatever field, who is truly good, to be shunted aside. Your own hopes rise despite those beliefs, and have worked for you. But you have felt jointly that it was unsafe to trust the world; unrealistic; and while you could maintain a mental isolation, Ruburt adopted a physical one.

Learn the importance of touch, for both of you rely often too much on purely mental expression. The hot towels on the knees should be begun. You did not make any “errors” with “Unknown” Reality. For one thing, there were no errors to be made.