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TPS3 Deleted Session June 27, 1977 6/90 (7%) expression love verbally stomach unrealistic
– The Personal Sessions: Book 3 of The Deleted Seth Material
– © 2016 Laurel Davies-Butts
– Deleted Session June 27, 1977 9:43 PM Monday

[... 1 paragraph ...]

(I had three questions for Seth, following my promise at the end of the last deleted session to come up with some—and Jane had two. I’ll list them here so as to make them part of the records; and Seth deals with them all in tonight’s materials:

[... 12 paragraphs ...]

(I should take the space here to set the scene. After supper this evening I read a news account of the riches accruing to a nationally known popular writer, his son and daughter, who shall be nameless here. Royalties, prime-time TV series, movies, TV specials—there was no area in which the family wasn’t making incredible amounts of money. All they produce is garbage. I was of course especially angry that they were world renowned while I thought Jane’s great abilities were largely unappreciated and ill paid for by Prentice, Bantam, etc. The recent sale of Oversoul Seven to an English publishing house for an unbelievable $100, and Prentice’s recent notice to us of a possible sale of Seth Speaks for translation and publishing by a German house for only $300 bothered me greatly; I just couldn’t believe that so little money was available in Europe, no matter what Prentice told us. [I still don’t.]

[... 21 paragraphs ...]

You are particularly sensitive here because of the male beliefs of your culture, and the feeling that Ruburt’s books are his rather than, say, yours. You want to show him that you appreciate that by your concern, but you do not express the love verbally half as much. Period.

[... 19 paragraphs ...]

He reacts practically, then, by avoiding what he thinks of as conflict, and you do not help in that regard, for by temperament you are not particularly attracted to the world. He feels he is so attracted, temperamentally, and so puts on physical guards. The bridge here involves the natural world, his love of nature, the connections between poetry, strolling the natural world as opposed to the social one.

[... 10 paragraphs ...]

The fibers are more elastic in his legs, but his confidence is still poor, nor have you made any attempts to encourage him in that direction. The key here is encouragement. The expression of your love saw threats, so that both of you together reiterate those beliefs.

[... 3 paragraphs ...]

(12:01.) His worry about his condition added additional tension. The working men (for Frank Longwell) made him feel as if the world intruded, and by its standards he felt to some extent exposed. Here were the two of you, doing what in the world’s eyes he felt was in direct opposition to its standards—the brawny, outdoorsy, hearty, family oriented males involved.

[... 17 paragraphs ...]

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