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TPS3 Deleted Session June 27, 1977 7/90 (8%) expression love verbally stomach unrealistic
– The Personal Sessions: Book 3 of The Deleted Seth Material
– © 2016 Laurel Davies-Butts
– Deleted Session June 27, 1977 9:43 PM Monday

[... 14 paragraphs ...]

(I should take the space here to set the scene. After supper this evening I read a news account of the riches accruing to a nationally known popular writer, his son and daughter, who shall be nameless here. Royalties, prime-time TV series, movies, TV specials—there was no area in which the family wasn’t making incredible amounts of money. All they produce is garbage. I was of course especially angry that they were world renowned while I thought Jane’s great abilities were largely unappreciated and ill paid for by Prentice, Bantam, etc. The recent sale of Oversoul Seven to an English publishing house for an unbelievable $100, and Prentice’s recent notice to us of a possible sale of Seth Speaks for translation and publishing by a German house for only $300 bothered me greatly; I just couldn’t believe that so little money was available in Europe, no matter what Prentice told us. [I still don’t.]

[... 3 paragraphs ...]

A great many people belong to that world. Even intelligent men and women, some original thinkers, depend upon more or less organized procedures and recognized channels, through which communications with others like them are made. These are, for example, the psychological societies, the medical or scientific groups in which people who share common interests and backgrounds have a meeting place.

[... 1 paragraph ...]

Not only is our own work rather unique, but you have no academic credentials. You have avoided, for example, holding seminars of that nature. In that framework many psychologists, for example, would feel comfortable, but you offer no such bridge to anyone. You avoid “the wild psychic world” of cults, semicults, and so forth, and above all you are individualists who do not play according to game rules.

[... 2 paragraphs ...]

(10:00.) For one thing, you do not respect position, and your attitudes are clear, through your notes and Ruburt’s introductions. You do not play up whatever “important” contacts you have made. Ruburt could easily have given impressions concerning, say, Richard Burton, to Goodheart (Bill), who would have been initially impressed, and would have spread the word. Ruburt disdains such maneuvers.

You have little patience, jointly, with that kind of world. The Hollywood director (Alan Neuman) who called, for example. Ruburt was warm, curious, and solitary. He did not reinforce the director’s sense of his own importance, and the man was used to that. Nor did he speak in the honeyed spiritual tones that the man expected from the psychics he dealt with.

[... 4 paragraphs ...]

Flattery is no social crime. It is a psychological art of its own, taken for granted in all circles. You do not flatter others in personal encounters. You make no effort to cultivate the kind of characteristics involved. Ruburt has them, and ignores them. Some important people, in your terms, do not contact you personally except on rare occasions. Those who bang at your doors are the antisocial, the drifters, the troubled, or those so enthusiastic that they also ignore all social rules, in which case you two rise up in arms.

[... 30 paragraphs ...]

You do not expect the world to understand good work. You expect the artist, in whatever field, who is truly good, to be shunted aside. Your own hopes rise despite those beliefs, and have worked for you. But you have felt jointly that it was unsafe to trust the world; unrealistic; and while you could maintain a mental isolation, Ruburt adopted a physical one.

[... 28 paragraphs ...]

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