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TPS3 Deleted Session June 27, 1977 4/90 (4%) expression love verbally stomach unrealistic
– The Personal Sessions: Book 3 of The Deleted Seth Material
– © 2016 Laurel Davies-Butts
– Deleted Session June 27, 1977 9:43 PM Monday

[... 9 paragraphs ...]

(5. On the decision we made—Rob to finish “Unknown” Reality, then Psyche, perhaps with my help. [This decision leaves Jane free to do fresh creative work—whatever she wants to do. I understand that it’s vital that she have this freedom.]

[... 13 paragraphs ...]

(10:00.) For one thing, you do not respect position, and your attitudes are clear, through your notes and Ruburt’s introductions. You do not play up whatever “important” contacts you have made. Ruburt could easily have given impressions concerning, say, Richard Burton, to Goodheart (Bill), who would have been initially impressed, and would have spread the word. Ruburt disdains such maneuvers.

[... 19 paragraphs ...]

Intellectually he accepts it, but emotionally he yearns for that direct expression. The child may think “My teeth are fine, why yell at me to brush them?” Ruburt thinks “What is there that allows you to speak your concern more actively than your love?” He is verbally oriented. Words have rhythm—emotional rhythms, to which he is acutely attuned. You are saying “I love you. My art is, for whatever reasons, private. I respect it. It involves a method of expression, and a primary stance of my life, regardless of what it brings or does not bring. I am sorry that somehow I cannot use it in the way that you use your writing, and even in the way that I can use mine. When I think that others take advantage of you in monetary terms—government, publisher, or public—it makes me wonder why. I wish that my painting could bring you abundance in social ways also. I feel guilty sometimes when I paint for that reason. I know that you understand on deep levels. I wish I could express my love verbally, but if not, I will express it is this fashion.”

[... 16 paragraphs ...]

You do not expect the world to understand good work. You expect the artist, in whatever field, who is truly good, to be shunted aside. Your own hopes rise despite those beliefs, and have worked for you. But you have felt jointly that it was unsafe to trust the world; unrealistic; and while you could maintain a mental isolation, Ruburt adopted a physical one.

[... 28 paragraphs ...]

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