“Seth material” search engine (Jane Roberts)

You could have stayed in apartments all your life, denying yourself the privacy that you now enjoy, and thus avoided any conflict. You chose to grow, to experiment, and to face whatever issues were involved. For you, the artist was not connected with any ideas of homemaking, though outside of that context you wanted to own your own piece of land, however small. Around you, you found, were men who had traveled other roads—your neighbors, and you felt yourselves to be aliens. You put yourselves in the middle, simply speaking, of the conventional world that earlier it seemed you had sworn to combat or ignore. This was quite necessary, for you were in danger of thinking of conventional people as symbols only—not as individuals with their own problems and concerns.

When you tie these abilities to feelings of strong responsibility, serious work, too much, you limit them to whatever degree, and you limit your own expression of them. Ruburt’s held-over feelings about femininity make him try to be overly respectable in his work. The playful abilities find themselves in straightjackets. He becomes afraid of being ostracized. Your own seriousness about work in the past, your own attitudes, linger on in his. He took you too literally.

4.) For three hours I want him to write whatever he wants, freeing his mind from thoughts of his symptoms, and from responsibility.