“Seth material” search engine (Jane Roberts)

Some of this involves the learning process. At the general world level there are many teachers, and the ways are known. There are periods of balance, where for example—and I am using analogies, understand me—you may find a product, a person at a certain balance point, pleased with all aspects of life, in good health, well-off financially, and meeting goals. Everything is even, and within that framework all is well.

Ruburt wanted to make creativity work financially so that you could both be free to pursue it. Through the years the goals of one level of consciousness— though I am putting this simply—became tied to the goals of another level of consciousness. Overall, ideally speaking, the two could be fused. Practically, however, this is like trying to build two pieces of furniture with different materials, then forming them into one cohesive whole. In both of your lives, those experiences, however valid, that did not fit both categories, gradually went to one degree or another by the way.

I am not, as you should know, saying that the goal of financial success is a low one. Unfortunately, however, the beliefs connected with that goal usually involve whole webworks of beliefs that would automatically prevent high creativity.

Ruburt began to allow only psychic experiences that could be translated also—not primarily, you see—but also into financial productivity. You also wanted to wed your abilities in the same manner. You felt you could not afford free creative work. Ruburt felt that creative work could pay. Because of your ideas about time and creative work you felt that painting could not pay. Ruburt tricked you quite cleverly into doing the sketches for Dialogues—for your own good, he felt, and you did not enjoy the experience, allowing your beliefs to contaminate your creativity. You do not feel the world deserves creative work. Yet you have a nature that demands that you produce it.