“Seth material” search engine (Jane Roberts)

In a way with the book and with your art, your purpose is the expression of the ideal, and that expression must be physically materialized, obviously. If you were running a race you would focus upon your own sensations of speed and agility, trying to bring about a perfection of motion. You would consider it obviously impractical to focus instead upon any impediments that might be in the way. You would know better than to mutter over and over to yourself “I will never make it. I am going to trip here or here or there, or someone is going to trip me up, or certainly someone will throw a stone in my path.” Even though someone may have thrown a stone in your path in the past, as a runner such things would vanish from your mind as you concentrated on the feelings in your body of motion and agility.

(11:00.) You cannot inhibit such expression out of fear, without experiencing tensions. As you become accustomed to the idea of “reckless” expression of the ideal, then it is free to find “more perfect” expression. It clears its own roads.

(11:15.) Ruburt’s approach with the gums is a good one. It can work if he changes his beliefs quickly enough, since the overall physical condition is vastly accelerated. His impressions earlier this evening are very significant, as you will both shortly see. Do not consider your own symptoms as weakness, or as something to be ashamed of in the face of the ideal of perfect health.