“Seth material” search engine (Jane Roberts)

You would paint pictures, then, but not show them. You both possessed such strong creative abilities, however, that once expressed they were bound to create attention. There are many variations on the same thing that the artist, the revolutionary thinker, the genius, would be punished by his fellow men, or even be betrayed by his own abilities. Many such ideas have been held by those relatively innocent of any great creative ideas themselves, in order to rationalize their own deficiencies.

He has been on guard, and only now is realizing that there is nothing to be on guard against. Fear of the spontaneous self is meaningless unless the spontaneous self is set up against the idea of an authority which is not spontaneous. The spontaneous self is feared only because it might break down the authority of a rigid structure. It might be creative. It might come up with something new. It might shatter rigid barriers.

Each of you felt, however, that there was great value in being anonymous, yet you put yourselves in a position where you could not be. You tell Ruburt to keep it a secret from Leonard that your rent was raised, or you might move—good God!—while your most intimate personal beliefs and inspirations are given to the world. The idea however has been, the more secret you were, each of you, the better off you were, while at the same time your individual and joint creativity would be known. But the habits of secrecy continued, and there is no reason for secrecy but fear.

You had each thought, however, that there was something extremely uncomfortable about the truly creative person in society, that he or she had to protect himself or herself, and the symptoms have been Ruburt’s way of protecting himself—yet also his way of saying, “I am different. Do not fear me, look at me. I am obviously flawed, so you cannot attack me.” So he feigns illness. When the opinions of others are no longer so valued, there is no need for such protection, such playing dead.

There will be some extraordinary library experiences. Because of such fears as I have spoken about this evening, many people never use their true creative abilities at all. But they do not remain “healthy” either. They suffer. Their abilities yearn for release, and overall their lives are, in your terms, incredibly dim. Ruburt can make no new bargain that says “Now I change my mind. I will be physically flexible, but I will no longer use my creative abilities in the ways natural to me.” That is simply the other side of the same limiting bargain. But that is not where he is going.

Give us a moment.... He is free to use all his abilities physically, psychically, creatively, and spiritually. One need not be expressed at the expense of another. Instead each complements the others. When you realize quite literally and practically that you have no other person or authority to fear, then you are free to be yourself to the best of our “ability.”

You will benefit by the economy’s misfortune—but because your ideas are what people need in order to change the conditions that caused the economy’s lack of comfort. The economy itself is a reflection of people’s concepts, their way of life, and it is not working. Your ideas offer hope and literal promise. The people have brought this upon themselves in their beliefs, and so it is indeed a creative venture.