“Seth material” search engine (Jane Roberts)

Great talent requires great spontaneity, not great discipline. Spontaneity knows its own order, and will see that it flows in proper, free, orderly directions. Ruburt has been trying to dam his spontaneity to make sure it flows only through his work, and in doing so has hampered both his life and his work.

The individual feels the presence of great energy, and is unsure as to how to use it. Picasso let it go freely. Ruburt wonders how much wasted energy went into Picasso’s antics—that should have gone into his work. Van Gogh and Cézanne were afraid of their energy, and with all they did could have done far more. Picasso’s free flow of energy in all areas freed energy for his work, and did not detract from it. He kept his channels to energy open, therefore the energy flowed through his work freely, and in a short period of time he could produce a painting that might take years for another as gifted to produce, who husbanded his talent as a miser.

([December 17, Monday 1973. Jane:] Part of me feels that the symptoms are an acceptable even ingenious way of seeing that distractions are cut to a minimum; to focus my abilities, like a kid getting a cold to stay in, but more sophisticated, cuts through the necessity for explanations, etc. I think that the symptoms have been a means, and less drastic than some taken by others like Van Gogh for instance [though Picasso just let it all hang out]. Extraordinary talent takes extraordinary discipline, and the symptoms can be used against any distraction.