1 result for (book:tps3 AND heading:"delet session decemb 17 1973" AND stemmed:should)

TPS3 Deleted Session December 17, 1973 8/68 (12%) symptoms Picasso price extraordinary isolation
– The Personal Sessions: Book 3 of The Deleted Seth Material
– © 2016 Laurel Davies-Butts
– Deleted Session December 17, 1973 9:27 PM Monday

[... 21 paragraphs ...]

The individual feels the presence of great energy, and is unsure as to how to use it. Picasso let it go freely. Ruburt wonders how much wasted energy went into Picasso’s antics—that should have gone into his work. Van Gogh and Cézanne were afraid of their energy, and with all they did could have done far more. Picasso’s free flow of energy in all areas freed energy for his work, and did not detract from it. He kept his channels to energy open, therefore the energy flowed through his work freely, and in a short period of time he could produce a painting that might take years for another as gifted to produce, who husbanded his talent as a miser.

[... 8 paragraphs ...]

(Nothing. As I told Jane this evening after reading her list with her: No one, myself included, would have any right to expect another to pay a price such as her symptoms so that the other party would get anything out of the deal whatsoever. My point was that if she perpetuated her symptoms because of any reasons involving me, that she should instantly dispense with all of those reasons. Others should be left to their own devices in life, etc., etc....)

[... 13 paragraphs ...]

(10:42 PM. As stated on page 11, my position is that Jane should dispense with her symptoms, as far as my behalf is concerned, no matter what the reasons might be on my part. And as far as I’m concerned that attitude applies to her own reasons too....

[... 8 paragraphs ...]

(Like if I have to make a choice to be like others, I’d waste time like they do, fritter away energies etc., let go. We haven’t even got discipline to get up at a decent hour much less work as we should.

[... 3 paragraphs ...]

2. Our survival in this society exists in financial terms—money buys us the time etc. Must be I don’t feel my condition physically threatens me though God knows I should.

[... 3 paragraphs ...]

6. Now I feel I should be working at Aspects instead of poetry... I put up with that conflict and do poetry anyhow now and then; sloppy thinking in here and feel Tam won’t really go for poetry.

[... 2 paragraphs ...]

9. Yet R.’s work as painter may be greater than either of us know, so on the other hand I feel he should hang onto them, rather than scatter his work, put them in one large room—bedroom?—to show them off well and sell them at high prices; he doesn’t sell many now anyhow and his prices may reflect his ideas of art value in society. Is there a correlation between my conflict between poetry and book contracted for, and Rob’s attitude toward art and money?

10. At same time I think you should go out each day, exercise, see people, do other things for balance, but this is later stuff? and really just want to write and distrust those impulses. And when I feel them, they’re charged.

[... 1 paragraph ...]

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