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TPS3 Deleted Session December 17, 1973 4/68 (6%) symptoms Picasso price extraordinary isolation
– The Personal Sessions: Book 3 of The Deleted Seth Material
– © 2016 Laurel Davies-Butts
– Deleted Session December 17, 1973 9:27 PM Monday

[... 15 paragraphs ...]

Great talent requires great spontaneity, not great discipline. Spontaneity knows its own order, and will see that it flows in proper, free, orderly directions. Ruburt has been trying to dam his spontaneity to make sure it flows only through his work, and in doing so has hampered both his life and his work.

[... 5 paragraphs ...]

The individual feels the presence of great energy, and is unsure as to how to use it. Picasso let it go freely. Ruburt wonders how much wasted energy went into Picasso’s antics—that should have gone into his work. Van Gogh and Cézanne were afraid of their energy, and with all they did could have done far more. Picasso’s free flow of energy in all areas freed energy for his work, and did not detract from it. He kept his channels to energy open, therefore the energy flowed through his work freely, and in a short period of time he could produce a painting that might take years for another as gifted to produce, who husbanded his talent as a miser.

[... 40 paragraphs ...]

7. With the symptoms Rob does lots of chores I think he wouldn’t do otherwise, freeing me to work? Keeps me from wasting my time with housework; think it’s degrading for R. as a male to do chores so much so the symptoms give us both an excuse; also gives him an excuse for not knowing for sure what he wants to do, paint or whatever, he can blame it on lack of concentration because of me.

[... 3 paragraphs ...]

11. I think all this is for Rob’s good as much as mine despite my fears and his fears for me. One thing I can give him; buy time for him to do whatever he wants, be free of family and money problems, if he worries about me he isn’t going to feel responsible to get a job and my symptoms give him an excuse not to socially (old ideas) and the symptoms cut down on my flamboyance which has class to express itself in. It’s kept in work where it can’t threaten our framework.)

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