“Seth material” search engine (Jane Roberts)

When new “threats” arose, Ruburt reverted to the old pattern. (The new threats being the death of my mother; our freedom to travel, now that we have finished Personal Reality; the absence from home and the interruption of routine, etc., as we talked about tonight.) Reading our book however kept some improvements alive, and it was but a matter of time before he would read again the sessions of work that I gave him (as Jane did today). The beliefs for a while fell back into invisibility because he wanted them to, of course. Those particular sessions are highly important.

1. I still feel guilty doing creative stuff like poetry in work time when it might not sell. How about part of day working on whatever book I’m doing and part on poetry?

8. Book ideas were to give R. alternatives if he wanted them.

9. Yet R.’s work as painter may be greater than either of us know, so on the other hand I feel he should hang onto them, rather than scatter his work, put them in one large room—bedroom?—to show them off well and sell them at high prices; he doesn’t sell many now anyhow and his prices may reflect his ideas of art value in society. Is there a correlation between my conflict between poetry and book contracted for, and Rob’s attitude toward art and money?