1 result for (book:tps3 AND heading:"delet session decemb 17 1973" AND stemmed:rob)

TPS3 Deleted Session December 17, 1973 6/68 (9%) symptoms Picasso price extraordinary isolation
– The Personal Sessions: Book 3 of The Deleted Seth Material
– © 2016 Laurel Davies-Butts
– Deleted Session December 17, 1973 9:27 PM Monday

[... 49 paragraphs ...]

(Or when I HAVE decided to get better and improve, I’d change my mind at any “danger”; or I’d get better awhile to make Rob feel better when I think he’d rather just have a normal wife. [But he could have chosen somebody else and he chose me because I had these ideas about work, wouldn’t threaten him with kids, make him get a regular job, keep us focused, etc. What other wife could do that? Stupid.] Apparently I feel that’s why he married me, and what we had in common.

[... 2 paragraphs ...]

(Or when I love Rob so much and I’m afraid that I’m robbing him by knocking out qualities in me that he loved and that I can’t get them back or be lovely again [despite what I wrote above].

[... 6 paragraphs ...]

4. Can’t count on Rob to do much financially, would think it self-betrayal on his part to get a job, and he always complained at Artistic. I felt he had to have his chance and was confident I could swing the financial end without buying a house, etc., anyhow.

[... 2 paragraphs ...]

7. With the symptoms Rob does lots of chores I think he wouldn’t do otherwise, freeing me to work? Keeps me from wasting my time with housework; think it’s degrading for R. as a male to do chores so much so the symptoms give us both an excuse; also gives him an excuse for not knowing for sure what he wants to do, paint or whatever, he can blame it on lack of concentration because of me.

[... 1 paragraph ...]

9. Yet R.’s work as painter may be greater than either of us know, so on the other hand I feel he should hang onto them, rather than scatter his work, put them in one large room—bedroom?—to show them off well and sell them at high prices; he doesn’t sell many now anyhow and his prices may reflect his ideas of art value in society. Is there a correlation between my conflict between poetry and book contracted for, and Rob’s attitude toward art and money?

[... 1 paragraph ...]

11. I think all this is for Rob’s good as much as mine despite my fears and his fears for me. One thing I can give him; buy time for him to do whatever he wants, be free of family and money problems, if he worries about me he isn’t going to feel responsible to get a job and my symptoms give him an excuse not to socially (old ideas) and the symptoms cut down on my flamboyance which has class to express itself in. It’s kept in work where it can’t threaten our framework.)

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