“Seth material” search engine (Jane Roberts)

In your society talent, even genius, tries to ally itself, at least for a while, with your economic needs, for if the body does not eat the abilities will not survive. Left alone, the abilities will see to it that economic survival is achieved. It will see to abundance, and not in a self-serving manner but as a leaf seeks sunlight. Am I going too fast?

Then however the abilities want to grow and thrive, and the economic factors must no longer be a prime incentive. If they are there will be difficulty. The personality will try to develop its abilities further in a freer, more mature fashion, but the old habits will hold the personality back. “Will this sell or won’t it?” That question was more or less imperative when Ruburt was learning to use his abilities. Not only that, but the economic need itself was important, helping to focus those abilities to some degree, to the needs and desires of others as well as himself.

Plants also need water beside sunlight. Let us say for our analogy that water provides the free-flowing motion of ideas circulating through the psyche freely. It is as if Ruburt said “Aha, I must have the sun, or economic security, so my abilities can grow,” and became so concerned about that that he forgot the need for watering.

When you worked in an art department, even though you knew you were doing “commercial work,” society referred to you as an artist. You had a certain prestige. When Ruburt needed jobs he worked in a factory, or he was a sales clerk or a door-to-door sales person—jobs he felt that gave him no prestige. He was afraid, however, of such jobs—prestigious ones—for fear the need for money would lead him to neglect his work. He became more economical.

(10:12.) Deep friendships are out, for they are not practical. They would take time and energy that should be devoted to work. Now no one is saying— me least of all—that you forget ideas of needed solitude. There is little worry that either of you will do that (emphatically). Yet there can be danger that you forget that creative time can produce in an hour magic creations that ten hours of frightened, enforced time can never do—and that a moment’s inspiration in a bar, or with company, or on a walk in the park can bring forth world-changing theories that no amount of fearful economy of time will ever deliver.