“Seth material” search engine (Jane Roberts)

Nature deals with abundance, in which there is no waste. Your life rests secure on top of numberless probabilities, but those probabilities, though not realized by you, are not wasted. When you try to tie a great talent down to a practical end like “making a living,” then you are wasteful (forcefully).

Ruburt has been trying to be economical in terms of money, energy and time. He differed from you only in that he carried your own ideas and his further in certain respects. In others, financially for example, he broke away first and you followed. The idea of the spare, poor young artist or writer, living romantically in a garret or poor apartment, has served as a handy self-image for many in their early years, providing a sense of dignity that enabled such apprentices to make their way. You chose the circumstances. You purposely chose a time involved in which writers and artists had it “hard”—so you cannot turn around then and blame the society. You each wanted to be apart from it to some extent. You (RFB) proved to yourself that your art could support you when you were young. You made good money. Then you immediately disentangled your abilities from economics in a particular fashion. You used your dexterity in “artistic” ways in your jobs—but the bulk of your artistic yearnings were divorced completely from the world at large. Ruburt did not know that his abilities could ever bring him money.

Ruburt has the same kind of challenges, and each of you have helped the other in portions of your lives together. There are balances that you achieve. Your help with the pendulum has many significances, therefore: you are taking the time out to help. Your active love comes to the forefront.