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TPS3 Deleted Session August 6, 1975 8/44 (18%) waste economic economy dryer spareness
– The Personal Sessions: Book 3 of The Deleted Seth Material
– © 2016 Laurel Davies-Butts
– Deleted Session August 6, 1975 9:01 PM Wednesday

[... 12 paragraphs ...]

Plants also need water beside sunlight. Let us say for our analogy that water provides the free-flowing motion of ideas circulating through the psyche freely. It is as if Ruburt said “Aha, I must have the sun, or economic security, so my abilities can grow,” and became so concerned about that that he forgot the need for watering.

[... 2 paragraphs ...]

Ruburt has been trying to be economical in terms of money, energy and time. He differed from you only in that he carried your own ideas and his further in certain respects. In others, financially for example, he broke away first and you followed. The idea of the spare, poor young artist or writer, living romantically in a garret or poor apartment, has served as a handy self-image for many in their early years, providing a sense of dignity that enabled such apprentices to make their way. You chose the circumstances. You purposely chose a time involved in which writers and artists had it “hard”—so you cannot turn around then and blame the society. You each wanted to be apart from it to some extent. You (RFB) proved to yourself that your art could support you when you were young. You made good money. Then you immediately disentangled your abilities from economics in a particular fashion. You used your dexterity in “artistic” ways in your jobs—but the bulk of your artistic yearnings were divorced completely from the world at large. Ruburt did not know that his abilities could ever bring him money.

When you worked in an art department, even though you knew you were doing “commercial work,” society referred to you as an artist. You had a certain prestige. When Ruburt needed jobs he worked in a factory, or he was a sales clerk or a door-to-door sales person—jobs he felt that gave him no prestige. He was afraid, however, of such jobs—prestigious ones—for fear the need for money would lead him to neglect his work. He became more economical.

If he could not go out so often, if he could not go on vacations, if he could not leave his desk, he would save not only energy but time and money as well. You would not spend so much. He would not be tempted to buy so many clothes. You cannot separate your beliefs in one area from those in another, for they are so beautifully connected. Ruburt’s talents are luxurious. They will automatically bring you luxury. Abilities must be ultimately tied in with your greatest inner aspirations—not tied down by your fears.

[... 14 paragraphs ...]

Now: Ruburt’s teeth further followed through, and were a kind of safeguard, for if he lost his symptoms, still he would not look good enough to go on television.

[... 1 paragraph ...]

Tell Ruburt that even in the old terms it is not economical to take such an amount of time for simple movements to the bathroom, for example. He holds his urine as he holds his breath, hardly taking time to breathe. This is not creative action, or productive action, as he is now with your help beginning to realize.

He took these steps for his own reasons, but you have come together in a joint reality, so his situation is teaching you things that you wanted to learn, and you are learning through his example. You would not take on that physical coloration. In a way however you are working through the same problems artistically, and Ruburt would never accept that coloration, so he has learned from you there.

[... 5 paragraphs ...]

A hearty and reassuring good evening—and with probabilities as they are, within a year the large bulk of physical hassles with Ruburt will be behind him —that is, he will be navigating more or less normally, with further agility to follow.

[... 1 paragraph ...]

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