“Seth material” search engine (Jane Roberts)

When I say economy however I am not simply speaking of economics in financial terms—rather in the larger meaning of economy in sparing down, cutting out nonessentials, fearing to waste not simply money, but energy or time. All of these ideas are based upon the fear that an individual possesses only so much energy that must be hoarded, directed—not easily, but with fantastic force. The clothes dryer in the basement represents energy that you are afraid to use. You realize you have the money to run the machine, or to buy the washer. It seems somehow sinful, however, wasteful and wrong.

Ruburt has been trying to be economical in terms of money, energy and time. He differed from you only in that he carried your own ideas and his further in certain respects. In others, financially for example, he broke away first and you followed. The idea of the spare, poor young artist or writer, living romantically in a garret or poor apartment, has served as a handy self-image for many in their early years, providing a sense of dignity that enabled such apprentices to make their way. You chose the circumstances. You purposely chose a time involved in which writers and artists had it “hard”—so you cannot turn around then and blame the society. You each wanted to be apart from it to some extent. You (RFB) proved to yourself that your art could support you when you were young. You made good money. Then you immediately disentangled your abilities from economics in a particular fashion. You used your dexterity in “artistic” ways in your jobs—but the bulk of your artistic yearnings were divorced completely from the world at large. Ruburt did not know that his abilities could ever bring him money.