“Seth material” search engine (Jane Roberts)

When I say economy however I am not simply speaking of economics in financial terms—rather in the larger meaning of economy in sparing down, cutting out nonessentials, fearing to waste not simply money, but energy or time. All of these ideas are based upon the fear that an individual possesses only so much energy that must be hoarded, directed—not easily, but with fantastic force. The clothes dryer in the basement represents energy that you are afraid to use. You realize you have the money to run the machine, or to buy the washer. It seems somehow sinful, however, wasteful and wrong.

(9:30.) Give us a moment.... It, the machine, rebukes you by its presence, because it represents a dilemma. All of this is quite aside from the exterior energy crisis. The grasping, licentious attitudes connected with world energy are the results of the same attitudes. There is not an energy crisis. While you believe, however, that energy is limited then you are gluttonous for using it at the expense of poorer nations—who will then, sharing the same belief, retaliate. Energy must be used. It creates more of itself. It cannot be hoarded.

Ruburt has been trying to be economical in terms of money, energy and time. He differed from you only in that he carried your own ideas and his further in certain respects. In others, financially for example, he broke away first and you followed. The idea of the spare, poor young artist or writer, living romantically in a garret or poor apartment, has served as a handy self-image for many in their early years, providing a sense of dignity that enabled such apprentices to make their way. You chose the circumstances. You purposely chose a time involved in which writers and artists had it “hard”—so you cannot turn around then and blame the society. You each wanted to be apart from it to some extent. You (RFB) proved to yourself that your art could support you when you were young. You made good money. Then you immediately disentangled your abilities from economics in a particular fashion. You used your dexterity in “artistic” ways in your jobs—but the bulk of your artistic yearnings were divorced completely from the world at large. Ruburt did not know that his abilities could ever bring him money.

If he could not go out so often, if he could not go on vacations, if he could not leave his desk, he would save not only energy but time and money as well. You would not spend so much. He would not be tempted to buy so many clothes. You cannot separate your beliefs in one area from those in another, for they are so beautifully connected. Ruburt’s talents are luxurious. They will automatically bring you luxury. Abilities must be ultimately tied in with your greatest inner aspirations—not tied down by your fears.

For some time in the past, I grant you, you each considered sex uneconomical in terms of time and energy. Rather than avail yourselves of its great refreshment, you thought of the time taken from your work, each of you; beside this Ruburt feared pregnancy, seeing a child not as any kind of fulfillment, but as an artistic and economic disaster.

There is nothing strange in the fact that Ruburt begins to have sexual feelings as the muscles begin to feel toward flexibility (legs). His physical difficulty has involved then his ideas of economical action—the cutting out of waste. These ideas, again, are a part of the one line of consciousness that says “You have only so much energy and so much time. You must therefore ‘use’ time and energy well; practically you must not waste time or effort. If you have a purpose and you want to achieve it badly enough, then everything else must be sacrificed for it—because “time marches on.” “Time is money.”

(10:12.) Deep friendships are out, for they are not practical. They would take time and energy that should be devoted to work. Now no one is saying— me least of all—that you forget ideas of needed solitude. There is little worry that either of you will do that (emphatically). Yet there can be danger that you forget that creative time can produce in an hour magic creations that ten hours of frightened, enforced time can never do—and that a moment’s inspiration in a bar, or with company, or on a walk in the park can bring forth world-changing theories that no amount of fearful economy of time will ever deliver.