his

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TPS2 Session 632 (Deleted Portion) January 15, 1973 9/38 (24%) sell financial marketplace Nebene eat
– The Personal Sessions: Book 2 of The Deleted Seth Material
– © 2016 Laurel Davies-Butts
– Session 632 (Deleted Portion) January 15, 1973

[... 4 paragraphs ...]

Ruburt’s feelings were largely directed against the parent. He was not encouraged, but discouraged from expressing normal anger. He was afraid of his mother’s wrath. You know those conditions.

[... 4 paragraphs ...]

In the past. I am speaking now of habitual ways of handling conscious angry thoughts. When you were ill they began, but he felt even less able to acknowledge them as his own. The background has largely been given of those times.

The Nebene characteristics, now creatively used, then also mitigated against Ruburt’s easy expression of such feelings, and he did tie up some characteristics of Nebene with his mother’s scorn. He is not worried so much that you have not made a great financial success of your art. He is ashamed of the following feelings:

He feels that you have not tried to make a success of your art, but have used excuses while blaming him for using excuses; that he tries desperately to sell his books, while you will not lift a finger to sell your paintings; that if he waited until he did his best work, he would never have sold a thing.

He feels that you are not satisfied with your work, and so will not try to sell it in the marketplace, while he must sell his work in the marketplace. There are several levels of feeling here. On one level he would not care, if only he felt you were really (underlined) painting what you wanted, and pleased with it; but you do not seem pleased.

[... 8 paragraphs ...]

You would not be shunted aside as your mother shunted your father. You would not be forced to work as he did, and waste his creativity, so you chose a wife who would make no such demands—apart from other reasons. We are picking up one level here.

[... 2 paragraphs ...]

There is no doubt that he began to feel that his every creative act had to pay off financially. Better that than have you tied to that job at Artistic for any longer a time. This put you directly on the spot. He wanted you to do your thing, at the same time that the financial pressure grows. Yet it was good that you left the job when you did.

[... 4 paragraphs ...]

In his own way your father was saying “Since you do not trust my creativity I will deny you its benefits, even if I deny myself its benefits”—this to your mother; and you picked up a taboo: you could make money on art as long as you felt it was not really (underlined) creative—that is, commercial. But you would keep good work to yourself and not sell it. So Ruburt did not accept any of your answers.

Were you not selling your paintings to spite him or yourself or your mother? If you did not want to do portraits, why accept commissions? Say no. Give us a moment. (Pause.) His unspoken anger grew. He is pleased with my book. He was always deeply grateful for your part in Seth Speaks, and in the sessions. Your later, better communication and rapport made matters worse, for his unexpressed feelings seemed then completely unjustified, and his fear of hurting you grew stronger.

[... 6 paragraphs ...]

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