“Seth material” search engine (Jane Roberts)

In your terms the bleed-through can occur in both past and present, an idea from today bleeding into the past or the other way around. The ideas will be actualized or put into a practical structure according to your attitude toward them.

In terms of experience humanity is working out its problems and challenges end in 20th century terms and in the old Sumerian (spelled) civilization. You simply choose various kinds of organizational structures and different root assumptions—all however within the general root assumptions used for physical existence.

(Pause at 9:35; one of many.) The old Sumerians (spelled) are singing their chants now at the same time that Ruburt is trying to translate them now in your terms. I wish I could impress upon you this great transparency of time so that you could experience its dimensions. In one way of speaking you have (in quotes) “not yet” developed the proficiency, with sound that would now allow for the building of structures such as those we described in the last session.

(Those at Baalbek; the Pyramids, etc.) Yet those structures exist even in your now, bleed-throughs to make you think and in other terms to make you remember. Many physical structures have existed in your terms in the same space now occupied by your apartment house. Because of your root assumptions however it is not possible for you to perceive these, nor those that will come “after” (in quotes). Yet those structures exist as validly as the apartment house.

(“I feel that a whole mass of people would visualize a pyramid in their imagination,” Jane said, “then through their chanting, the use of certain vowels and pitches, they actually changed the air where that building was going to be. They made a boundary in the air,” she said, making angular gestures, “a cohesiveness, for this imaginary structure. Then they had certain kinds of tuning forks, then some kind of instrument. The noise of the chant was like something that you’d use to turn on this instrument—when the chant got to a certain pitch it turned on this instrument; and it somehow intensified and focused sound to what we would call an incredible degree —broke it down and then focused it in certain directions.”

(Pause at 10:30. “These are structures engineered on our earth, extremely cleverly, Sound patterns would physically materialize them, but if these patterns aren’t given then the structures are just out of the range of what we’d normally [call?] physical. They’re complete, see, if this pattern is given or spoken.”

(Jane said, “It’s as though they’re frozen—this isn’t a good word—at a certain stage until these patterns are given.” [Pause.] “All objects have their own sound patterns that help form their structure as much as the atoms and molecules do....”

You know that sound has an effect upon living things. It can help mend bone. It can also be used however to reinforce structures.

(In a few moments I seemed to visualize a pyramid shape that was based on pictures I remembered of the actual structures in Egypt. This was very pleasant. I seemed to be above the building looking down at it. This image, on a slight angle, was probably more subjective than objective. Then I seemed to feel a deep ringing gong-type sound, one that was rather prolonged. It was repeated several times. After this I felt and heard a series of chants by an unseen group, seemingly out of my field of vision to my right.

(She saw a structure like a pyramid shape. She had the feeling that “heavier sounds were at the bottom. These formed the base of the pyramid.” She tried several times to explain this to me. It was all important, she said, that the heavier sounds were at the base of the structures. Like the musical scale, she felt that the sounds used in building the pyramids “made steps in the air that you couldn’t see. Certain sounds went up—certain sounds bound things together—they all had purposes....”)