“Seth material” search engine (Jane Roberts)

(“You could move very heavy objects with it. The objects were levitated —raised up in the air, no matter how heavy. They only needed to be guided by people to some degree. Many men were used to guide them but not to lift or carry them. The sound instrument had a fantastic cohesive effect that bound atoms and molecules together.”

(10:25. “And beside that the instruments also set up some kind of extra charge that we don’t understand yet, around objects that were so constructed, like the pyramids,” Jane continued. She was speaking faster now that she had in the session. “Doors and passageways inside the pyramids will open through the correct sound messages and signals, and were designed only to open if those correct signals were given.”

(“This sounds really weird. There are also invisible pyramids—we just can’t see them.” I could tell that Jane didn’t know what to make of this data; she was even hesitant at telling me. “These pyramids were constructed in such a way that they reflect everything else, so that when you look at them you don’t see them as objects. Wait, I’m not getting this right... they’re perfect camouflages of wherever they are, but certain sound pitches would make them visible.”

(Jane said, “It’s as though they’re frozen—this isn’t a good word—at a certain stage until these patterns are given.” [Pause.] “All objects have their own sound patterns that help form their structure as much as the atoms and molecules do....”

(In a few moments I seemed to visualize a pyramid shape that was based on pictures I remembered of the actual structures in Egypt. This was very pleasant. I seemed to be above the building looking down at it. This image, on a slight angle, was probably more subjective than objective. Then I seemed to feel a deep ringing gong-type sound, one that was rather prolonged. It was repeated several times. After this I felt and heard a series of chants by an unseen group, seemingly out of my field of vision to my right.

I would like both of you at odd moments to look at objects, then try to hear their sound. This will be handy training for some other things to come. This also applies incidentally to various organs of the body, and to the body itself. Then let the sounds evoke whatever naturally comes from them. There is a strange interrelationship between sound and what you think of as time, but a binding one.